Purporting to be an autobiography of the antihero Tristram Shandy, Laurence Sterne's novel is a comic masterpiece of digression, egoism and sensationalism, as its hilarious asides, explanations and host of memorable secondary characters - such as Uncle Toby, Dr Slop, Parson Yorick and Widow Wadman - take centre stage, at the expense of the actual life events the book sets out to depict. A humorous compendium of European thought and literature - pastiching the likes of Locke and Bacon and referencing Pope, Swift, Cervantes and Rabelais - emerges amid the convoluted accounts of Tristram's conception, misnaming and accidental circumcision by a sash window, in a shrewd narrative that examines the role and nature of language itself.

With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography. This mercurial eighteenth-century text thus anticipates modernism and postmodernism. Vibrant and bizarre, Tristram Shandy provides an unforgettable experience. We may see why Nietzsche termed Sterne 'the most liberated spirit of all time'.

La escritura de Laurence Sterne (1713-1768), nacido en lrlanda, brota de la corriente que abrieron Rabelais y Cervantes, y que habria de llegar hasta Joyce. Tristram Shandy es una pieza clave en la formacion de la novela moderna, en la que el lector descubre con asombro como la veta subversiva que alienta la narracion desborda los limites de la peripecia para contaminar las mismas convenciones del genero. La autorreferencia, la paradoja y el subjetivismo se alian con la explotacion de los recursos tipograficos para crear, ademas, una de las novelas mas divertidas de la literatura inglesa.

In annotated texts based on those of the acclaimed Florida Edition of The Works of Laurence Sterne , this edition features the two works Sterne produced in the final year of his illness-plagued life: the witty, bawdy, pathetic, and thoughtful A Sentimental Journey through France and Italy ; and Continuation of the Bramine's Journal , Sterne's correspondence to a twenty-two-year-old married Englishwoman living in India ("a Diary," as he put it, "of the miserable feelings of a person separated from a Lady for whose Society he languish'd"). Together, these mutually illuminating works offer rich insight into their author's hopes, fears, loves, longings, and philosophy as he prepared to face death and judgment. Excerpts from related texts provide context for understanding the title works in relation to the earlier writings and life of this exuberant yet subtle genius of eighteenth-century English literature.

'L-d! said my mother, what is all this story about? - A COCK and a BULL, said Yorick - And one of the best of its kind, I ever heard' One of the greatest novels ever written, now in a wonderful new clothbound edition Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter, the amours and military obsessions of Uncle Toby, and a host of other characters, including Dr Slop, Corporal Trim and the parson Yorick. A joyful celebration of the endless possibilities of the art of fiction, Tristram Shandy is also a wry demonstration of its limitations. The text and notes of this volume are based on the acclaimed Florida Edition, with a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition. 'The book that I would never tire of ... Sterne was about 250 years ahead of his time' Roy Porter, author of Enlightenment: Britain And The Creation Of The Modern World

'Love is nothing without feeling. And feeling is still less without love.'
Celebrated in its own day as the progenitor of 'a school of sentimental writers', A Sentimental Journey (1768) has outlasted its many imitators because of the humour and mischievous eroticism that inform Mr Yorick's travels. Setting out to journey to France and Italy he gets little further than Lyons but finds much to appreciate, in contrast to contemporary travel writers whom Sterne satirizes in the figures of Smelfungus and Mundungus. A master of ambiguity and double entendre, Sterne is nevertheless as concerned as his peers with exploring the nature of virtue; unlike other writers of sentimental fiction Sterne insists on the inseparability of desire and feeling.
This new edition includes a selection from The Sermons of Mr Yorick, which shed light on the concerns of the Journey, The Journal to Eliza, which records Sterne's feelings as he languishes for the company of Eliza Draper, and A Political Romance, the satire on a local ecclesiastical squabble that was the catalyst for Sterne's literary career.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

At once endlessly facetious and highly serious, Sterne's great comic novel contains some of the best-known and best-loved characters in English literature--including Uncle Toby, Corporal Trim, Parson Yorick, and Dr. Slop--and boasts one of the most innovative and whimsical narrative styles in all literature. This revised edition of Sterne's extraordinary novel retains the text based on the first editions of the original nine volumes (with Sterne's later changes), adds two illustrations by William Hogarth, and expands and updates the introduction, bibliography, and notes, to make this the most critically up-to-date edition available. The text of the novel preserves, as far as possible, the appearance of Sterne's idiosyncratic typography and features such as black pages, marbled pages, blank pages, missing chapters and other devices. The introduction sheds light on the novel's innovations and influence and provides a biographical account of the author. Comprehensive notes identify the profusion of references and reveal previously overlooked sources. The book will appear in time for the 250th anniversary of the publication of first two volumes.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.